Literatur
- 作者K. Jellinek; R. Abegg; Fr. Auerbach; I. Koppel; R. Burian; A. Kussmann
- 卷第110卷
- 印刷ISSN1618-2642
- 电子ISSN1618-2650
- 文件大小132.38KB
- 发表时间1937
- DOI10.1007/bf01364897
- 页码200-201
REVIEWS OF BOOKSALLANBROOK, WYE J. · Music and Letters · 1985
IS THE SUBLIME A MUSICAL TOPOS?ALLANBROOK, WYE J. · Eighteenth Century Music · 2010
Mozart & Constanzeby Francis CarrReview by: Wye J. Allanbrook · Music & Letters · 1985
Pro marcellina: The Shape of 'Figaro', Act IVWye J. Allanbrook · Music & Letters · 1982
"All'usanza teatrale": Mozart and RepresentationAllanbrook, Wye J. · Studies in Eighteenth Century Culture · 1993
PRO MARCELLINA: THE SHAPE OF ‘FIGARO’, ACT IVALLANBROOK, WYE J. · Music and Letters · 1982
Dance rhythms in Mozart's arias: Mozart and the danceALLANBROOK, WYE J. · Early Music · 1992
Performing Mozart's Music II || Dance Rhythms in Mozart's AriasWye J. Allanbrook and Wendy Hilton · Early Music · 1992
The Znamenny ChantJoan L. Roccasalvo · The Musical Quarterly · 1990
Recent Studies in Western ChantEgon Wellesz · The Musical Quarterly · 1955
The Music of Henry CowellHugo Weisgall · The Musical Quarterly · 1959
Peter Abaelard as Musician--ILorenz Weinrich · The Musical Quarterly · 1969
Vincent d'IndyPaul Landormy and M. D. Herter Norton · The Musical Quarterly · 1932
Music, Language, and CompositionTheodor W. Adorno and Susan Gillespie · The Musical Quarterly · 1993
Gypsy Music or Hungarian Music?Béla Bartók · The Musical Quarterly · 1947
The Revival of Speculative MusicJoscelyn Godwin · The Musical Quarterly · 1982