海量图书期刊资源,随时随地畅享阅读乐趣
<i>IL SERSE TRASFORMATO</i> —IPOWERS, HAROLD S. · The Musical Quarterly · 1961
Modal Representation in Polyphonic OffertoriesHarold S. Powers · Early Music History · 1982
Language Models and Musical AnalysisHarold S. Powers · Ethnomusicology · 1980
Notes and NewsHarold S. Powers, George List, Alan P. Merriam and Bruno Nettl · Ethnomusicology · 1963
Sangita-Ratnakara of SarngadevaReview by: Harold S. Powers · Ethnomusicology · 1984
Current ChronicleHarold S. Powers · The Musical Quarterly · 1972
Mode and RagaHarold S. Powers · The Musical Quarterly · 1958
MODE AND RAGAPOWERS, HAROLD S. · The Musical Quarterly · 1958
Berkeley, CaliforniaPOWERS, HAROLD S. · The Musical Quarterly · 1972
The Znamenny ChantJoan L. Roccasalvo · The Musical Quarterly · 1990
Recent Studies in Western ChantEgon Wellesz · The Musical Quarterly · 1955
The Music of Henry CowellHugo Weisgall · The Musical Quarterly · 1959
Peter Abaelard as Musician--ILorenz Weinrich · The Musical Quarterly · 1969
Vincent d'IndyPaul Landormy and M. D. Herter Norton · The Musical Quarterly · 1932
Music, Language, and CompositionTheodor W. Adorno and Susan Gillespie · The Musical Quarterly · 1993
Gypsy Music or Hungarian Music?Béla Bartók · The Musical Quarterly · 1947
The Revival of Speculative MusicJoscelyn Godwin · The Musical Quarterly · 1982