The Tenbury and Ellesmere Partbooks: New Findings on Manuscript Compilation and Exchange, and the Reception of the Italian Madrigal in Elizabethan EnglandLydia Hamessley · Music & Letters · 1992

The Tenbury and Ellesmere PartbooksIain Fenlon and Lydia Hamessley · Music & Letters · 1993

[untitled]Review by: Lydia Hamessley · American Ethnologist · 1991

Women and Music in Cross-Cultural Perspective. ELLEN KOSKOFF, edLYDIA HAMESSLEY · 1991

En Travesti: Women, Gender Subversion, Operaby Corinne E. Blackmer; Patricia Juliana SmithReview by: Lydia Hamessley · Journal of the American Musicological Society · 1999

In Harmony Framed: Musical Humanism, Thomas Campion, and the Two Daniels.by Erik S. RydingReview by: Lydia Hamessley · The Sixteenth Century Journal · 1994

Within Sight: Three-Dimensional Perspectives on Women and Banjos in the Late Nineteenth CenturyLydia Hamessley · 19th-Century Music · 2007

The Tenbury and Ellesmere Partbooks: New Findings on Manuscript Compilation and Exchange, and the Reception of the Italian Madrigal in Elizabethan EnglandLydia Hamessley · Music & Letters · 1992

‘STUDIEN ZUR GESCHICHTE DES MILITARMARSCHES’HOFER, ACHIM · Music and Letters · 1990

LATIN POETRY AND CONDUCTUS RHYTHMHOLFORD-STEVENS, L. · Music and Letters · 2000

Soundtracks to the 'People's War'Guthrie, K. · Music and Letters · 2013

New Approaches to Tonal TheoryHasegawa, R. · Music and Letters · 2012

MOZART AND GLUCKABERT, HERMANN; OLDMAN, C. B. · Music and Letters · 1929

Carteggio Verdi-SommaGossett, P. · Music and Letters · 2006

‘DIES IRAE’: SOME RECENT MANIFESTATIONSBOYD, MALCOLM · Music and Letters · 1968

MOZART AND FREEMASONRYTHOMSON, KATHARINE · Music and Letters · 1976